At 17, he began studying composition with Rubin Goldmark, and wrote a piano sonata for Goldmark as a sort of graduation piece in 1921. He was also a talented pianist (he played the solo part in the West Coast premiere of his Piano Concerto at the Hollywood Bowl in 1928) and was precocious as a composer, starting around the age of 12. Copland is best known for his trio of ballets on American folk motives – Billy the Kid (1938), Rodeo (1942), and Appalachian Spring (1944) – but he also wrote symphonies and songs, operas and film scores (winning an Academy Award for his 1949 score for The Heiress), choral music, and chamber music. He studied with Nadia Boulanger in Paris and benefitted from the championship of Serge Koussevitzky. The quintessential American composer, Aaron Copland worked with a wide range of techniques and styles in virtually every musical genre.
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